{"id":20120,"date":"2018-12-11T07:00:18","date_gmt":"2018-12-10T23:00:18","guid":{"rendered":"http:\/\/primer.com.ph\/event\/?p=20120"},"modified":"2018-12-11T10:12:31","modified_gmt":"2018-12-11T02:12:31","slug":"manila-notes-the-filipino-adaptation-of-tokyo-notes-opens-november-30","status":"publish","type":"post","link":"https:\/\/primer.com.ph\/event\/2018\/12\/11\/manila-notes-the-filipino-adaptation-of-tokyo-notes-opens-november-30\/","title":{"rendered":"Manila Notes, The Filipino Adaptation of &#8220;Tokyo Notes,&#8221; Runs Until December 16"},"content":{"rendered":"<p style=\"text-align: justify\"><span style=\"font-weight: 400\">The Filipino adaptation of the critically acclaimed work of Japanese playwright and director <strong>Oriza Hirata<\/strong> Tokyo Notes has been taking the stage in the Philippines in the form of <strong>Manila Notes\u00a0<\/strong>since November 30th.\u00a0<\/span><\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-20123\" src=\"https:\/\/primer.com.ph\/event\/wp-content\/uploads\/sites\/10\/2018\/11\/Manila-Notes-Offical-Poster-1.jpg\" alt=\"\" \/><\/p>\n<p style=\"text-align: justify\"><span style=\"font-weight: 400\">Manila Notes is a collaborative theater production between Japan and the Philippines through <strong>Japan Foundation Manila (JFM)<\/strong> and <strong>Tanghalang Pilipino<\/strong> <strong>(TP)<\/strong>.<\/span><\/p>\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" class=\"aligncenter size-full wp-image-20122\" src=\"https:\/\/primer.com.ph\/event\/wp-content\/uploads\/sites\/10\/2018\/11\/Manila-Notes-02.jpg\" alt=\"\" srcset=\"https:\/\/primer.com.ph\/event\/wp-content\/uploads\/sites\/10\/2018\/11\/Manila-Notes-02.jpg 800w, https:\/\/primer.com.ph\/event\/wp-content\/uploads\/sites\/10\/2018\/11\/Manila-Notes-02-290x218.jpg 290w, https:\/\/primer.com.ph\/event\/wp-content\/uploads\/sites\/10\/2018\/11\/Manila-Notes-02-300x225.jpg 300w, https:\/\/primer.com.ph\/event\/wp-content\/uploads\/sites\/10\/2018\/11\/Manila-Notes-02-768x576.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><em><span style=\"font-size: 10pt\">Oriza Hirata (center), Rody Vera (left of Hirata), and Japan Foundation Manila Director Hiroaki Uesugi (right of Hirata) with the cast of Manila Notes during the play&#8217;s press conference<\/span><\/em><\/p>\n<p style=\"text-align: justify\"><span style=\"font-weight: 400\">The play is directed by Tokyo Notes\u2019 original writer himself Oriza Hirata, but the script was translated and adapted by Palanca Hall of Famer <strong>Rody Vera<\/strong>. The set design is also a joint effort of <strong>Itaru Sugiyama<\/strong> and selected Manila theater practitioners and students.<\/span><\/p>\n<p style=\"text-align: justify\">Tokyo Notes has been translated into 13 languages and has been staged in 20 countries around the world. It has also been internationally adapted in the past including Seoul Notes (2004), Taipei Notes (2017), and Bangkok Notes (2017).<\/p>\n<p style=\"text-align: justify\"><span style=\"font-weight: 400\">During the play\u2019s press conference last October 13, Hirata said that Vera\u2019s adaptation is by far the best. He even joked that it was probably better than what he wrote. <\/span><\/p>\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" class=\"aligncenter size-full wp-image-20121\" src=\"https:\/\/primer.com.ph\/event\/wp-content\/uploads\/sites\/10\/2018\/11\/Manila-Notes-01.jpg\" alt=\"\" srcset=\"https:\/\/primer.com.ph\/event\/wp-content\/uploads\/sites\/10\/2018\/11\/Manila-Notes-01.jpg 800w, https:\/\/primer.com.ph\/event\/wp-content\/uploads\/sites\/10\/2018\/11\/Manila-Notes-01-290x218.jpg 290w, https:\/\/primer.com.ph\/event\/wp-content\/uploads\/sites\/10\/2018\/11\/Manila-Notes-01-300x225.jpg 300w, https:\/\/primer.com.ph\/event\/wp-content\/uploads\/sites\/10\/2018\/11\/Manila-Notes-01-768x576.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><em><span style=\"font-size: 10pt\">Some of the cast performed a short part of the play during the press conference<\/span><\/em><\/p>\n<p>Further, Hirata wishes that Manila Notes will be considered a valued contribution not only to the Philippine theater but to the Philippine culture as a whole. He also said he looks forward to a continued collaboration between Japan and the Philippines, especially in terms of art.<\/p>\n<p>The story of Manila Notes takes place sometime in the near future. Since a major war in Europe is partaking, many paintings have been transported to some cities in Asia. Set in a lobby of an art museum in Manila, the play highlights the interactions between lovers, friends, and family members. The normal day-to-day conversation between them gives a glimpse of how Filipinos are living their everyday lives, including the problems they have to deal with.<\/p>\n<p>The play also introduces the contemporary colloquial theater style of acting which is entirely different from the Western technique. It focuses on the usage of simple dialogues and has been introduced and used by Hirata for years.<\/p>\n<p>Manila Notes features some of Philippines\u2019 finest actors from Tanghalang Pilipino as part of the theater group\u2019s 32nd production season. The actors teased the audience of what is to be expected from the play through performing an excerpt during the press conference.<\/p>\n<p><span style=\"font-weight: 400\">The audience can still catch performances of the play until <strong>December 16<\/strong> at the <strong>Tanghalang Aurelio Tolentino (CCP Little Theater)<\/strong> in the <strong>Cultural Center of the Philippines in Pasay City. <\/strong><\/span><\/p>\n<p><span style=\"font-weight: 400\">The shows are\u00a0<strong>performed in Filipino<\/strong>, but <strong>English subtitles were available during the November 30 and December 2 shows. \u00a0<\/strong><\/span><\/p>\n<p><span style=\"font-weight: 400\">For ticket reservations, group sales, sponsorships, and special performances, please contact Juan Marco Lorenzo at 0999 8843821 or Lorelei Celestino at 0915 6072275 or 832 1125 local 1620\/1621.\u00a0<\/span><span style=\"font-weight: 400\">Tickets are also available at Ticketworld <a href=\"https:\/\/ticketworld.com.ph\/Online\/default.asp?SessionSecurity::referrer=TheManilaNotesfromHIGHLIGHTS&amp;doWork::WScontent::loadArticle=Load&amp;BOparam::WScontent::loadArticle::article_id=BE92D055-BFB1-47F4-9C1D-DA61031AF12F\">online<\/a><\/span><span style=\"font-weight: 400\">\u00a0and at the CCP Box Office. <\/span><\/p>\n<p><em>To be updated with the latest shows of Tanghalang Pilipino, you may visit their <a href=\"https:\/\/facebook.com\/tanghalangpilipino\">Facebook page<\/a> or e-mail them at\u00a0<\/em><br \/>\n<em><a href=\"mailto:tanghalangpilipinomarketing@gmail.com\"><span style=\"font-weight: 400\">tanghalangpilipinomarketing@gmail.com<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/em><\/p>\n<p><strong>Details:\u00a0<\/strong><\/p>\n<p><strong>What<\/strong>: Manila Notes<br \/>\n<strong>Where:<\/strong>\u00a0Tanghalang Aurelio Tolentino (CCP Little Theater), Cultural Center of the Philippines, Pasay City<br \/>\n<strong>When:<\/strong> November 30 to December 16 (Friday &#8211; 8:00 p.m.; Saturday &#8211; 3:00 p.m. &amp; 8:00 p.m.; Sunday &#8211; 3:00 p.m.)<br \/>\n<strong>Ticket information:<\/strong><\/p>\n<ul>\n<li><strong>Price Zone 1<\/strong> &#8211; Php 1,030<\/li>\n<li><strong>Price Zone 2<\/strong> &#8211; Php 824<\/li>\n<\/ul>\n<p><strong>Facebook page:<\/strong> <a href=\"https:\/\/facebook.com\/tanghalangpilipino\" target=\"_blank\">www.facebook.com\/tanghalangpilipino<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Filipino adaptation of the critically acclaimed work of Japanese playwright and director Oriza Hirata Tokyo Notes has been taking the stage in the Philippines in the form of Manila Notes since November 30th. <\/p>\n","protected":false},"author":3,"featured_media":20123,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48,7,25,293,5366,65],"tags":[465,6500,6498,6499],"class_list":["post-20120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-manila","category-pasay","category-ccp-complex","category-performance","category-performing-arts","category-theatre-plays","tag-cultural-center-of-the-philippines","tag-japan-foundation-manila","tag-manila-notes","tag-tanghalang-pilipino"],"acf":[],"_links":{"self":[{"href":"https:\/\/primer.com.ph\/event\/wp-json\/wp\/v2\/posts\/20120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/primer.com.ph\/event\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/primer.com.ph\/event\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/primer.com.ph\/event\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/primer.com.ph\/event\/wp-json\/wp\/v2\/comments?post=20120"}],"version-history":[{"count":8,"href":"https:\/\/primer.com.ph\/event\/wp-json\/wp\/v2\/posts\/20120\/revisions"}],"predecessor-version":[{"id":20623,"href":"https:\/\/primer.com.ph\/event\/wp-json\/wp\/v2\/posts\/20120\/revisions\/20623"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/primer.com.ph\/event\/wp-json\/wp\/v2\/media\/20123"}],"wp:attachment":[{"href":"https:\/\/primer.com.ph\/event\/wp-json\/wp\/v2\/media?parent=20120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/primer.com.ph\/event\/wp-json\/wp\/v2\/categories?post=20120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/primer.com.ph\/event\/wp-json\/wp\/v2\/tags?post=20120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}